Gallery News

Ocean Liner Artifacts from Lannan Ship Model Gallery

Ocean Liner Poster Exhibit, artifacts from Lannan Gallery

Ocean Liner Poster Exhibit, Docking TelegraphThe IPG staff is busy preparing the gallery for tonight’s Titans of the Sea opening reception and we’re just about ready to unveil this unprecedented collection of ocean liner posters! We’re thrilled to compliment the collection with several artifacts from Boston’s Lannan Ship Model Gallery.  The docking telegraph pictured here has a temporary home in our front room near Cassandre’s iconic Normandie.  The dramatic piece is from the Matson Line’s SS Mariposa, which was launched in 1931.  We’re also excited to be showcasing a model of the Cunard Line’s RMS Caronia amongst other nautical antiques, all of which are for sale at IPG throughout the duration of the exhibit.

Visit our website to learn more about Titans of the Sea and browse our entire ocean liner collection.  If you’re in the Boston area we hope to see you at tonight’s opening reception!

Gallery News

You’re Invited to the “Titans of the Sea” Gallery Opening

Vintage Ocean Liner Posters, Opening Reception

Poster detail from  Sandy Hook’s Bresil Plata – Chargeurs Reunis Sud-Atlantique, c. 1928
Poster News

A Celebration of Rock and Roll Poster Art – Bethel Woods

Bethel Woods, Woodstock, Rock Art Poster Fair

Our friends at the Bethel Woods Center for the Arts are putting together a fantastic weekend celebrating the artistry and history of rock & roll posters, including a talk by Arnold Skolick and David Edward Byrd.  Click here for more details and a schedule of events.  And be sure to visit the International Poster Gallery website for more information on our large collection of 1960s rock & roll posters, including hand signed copies of Skolnick’s original Woodstock poster.

Poster History

For New York Fashion Week: Vintage Bally Posters

Baumberger, vintage Bally poster

Otto Baumberger, Doelker Die Weisse Mode, 1923. Many of the early posters were designed for Bally shops, such as Doelker. An exceptionally elegant image by Baumberger.

Cardinaux, vintage Bally poster

Emil Cardinaux, Bally Chaussures de Sport, 1924. One of the pioneers of Swiss poster art, Cardinaux created 8 posters for Bally, mostly for sport and work shoes.

Fashion Week is a perfect time to show off one of the best fashion poster series of all time.  Perhaps the longest running, most extensive (over 200 posters) and beautiful is the series for Bally shoe.  Founded in 1851 in Switzerland, Bally became an internationally respected name in men’s and women’s shoes within 20 years. In 1907 the Company went public and created a position for a publicity manager. Although the first poster was created that year, posters only became a regular part of the firm’s marketing mix around 1920.

What resulted was a spectacular explosion of posters, many created by the best designers in Switzerland, France and Spain that has continued to the present day. Here are six fine examples.

Ribas, vintage Bally poster

Ribas, Bally Chaussures, 1924. Ribas created three stunning images for Bally in the Roaring Twenties, and captured the glamor of the era perfectly.

Bally Radar, vintage poster

Pierre Augsburger, Bally Radar, 1955. Bally started promoting ski boots in the early Thirties. This Object Style poster was a terrific call to action - Lace 'Em up and Go!

Demachy, vintage Bally poster

Jacques Demachy, Bally, 1947. It is perfectly clear from Demachy's post-World War II poster that Paris couture is back.

Villemot, vintage Bally poster

Bernard Villemot, Bally Ball, 1989. In the late 80s, Villemot's Art Deco inspired posters carried on the Bally tradition to a new, hip consumer. Note that our Bally girl has a Bally man in the shadows.

Poster of the Day

PKZ by Herbert Matter

Herbert Matter PKZHerbert Matter’s poster of a bellhop admiring an overcoat is one of the rarest and most beautiful in PKZ‘s prestigious series. In its sophisticated Art Deco style, it shows the strong influence of Matter’s training in Paris with Cubists Fernand Leger and Amedee Ozenfant. Just 21 years old, Matter would stay in Paris to work with Cassandre on poster design and Le Corbusier on architectural projects. His return to Switzerland in 1932 marked a turning point for Swiss graphic design in its assimilation of Modernism.

For over 60 years the Zurich clothier PKZ teamed with the leading printer J.E. Wolfsenberger to produce Switzerland’s greatest poster series. Marked always by the richest textures and tones seen in lithography, the series featured all of the best Swiss poster artists, from Baumberger and Cardinaux to Matter, Birkhauser and Stoecklin. Given enormous artistic freedom, each artist was allowed to interpret the PKZ man or PKZ look as he saw fit.

Gallery News

Back to the Future! Gallery Exhibit

Back to the Future Gallery Exhibit

February 6 – April 1, 2012

We are proud to present “Back to the Future: Posters for a Brave New World,” an exhibition of original vintage posters that heralded the revolutionary technological and social innovations of their respective times.  The show features over 50 original vintage posters advertising fast trains, exotic vacation destinations, new household conveniences, and more.  Check it out!

Poster News

Worry Bags No Game – Vintage Insights for Contemporary Challenges

Worry Bags no Game, Mather Work Incentive

During these tough economic times, my mind invariably comes back to a 1929 Mather work incentive poster above my desk that puts things quickly in perspective. Worry Bags No Game is a terrific reminder that challenges need to be faced head-on, focusing on what you can do – and not on what you can’t.

Printed in Chicago between 1923 and 1929, the Mather work incentive poster series were designed to improve worker productivity and reduce turnover during a time of economic expansion and plentiful jobs.  While the posters can be seen as workplace propaganda or camp Americana, they are perhaps most importantly viewed as a visual expression of the idealism and optimism of the rising nation. President Calvin Coolidge pithily summed up in two sentences the ideology of the era in his 1925 speech to the society of American newspaper editors: “The chief business of the American people is business … The chief ideal of the American people is idealism.”

Evoking the courage of hunters like Teddy Roosevelt, this poster inspired workers and managers alike – and seems as relevant today as in the Roaring Twenties.

Gallery News

International Poster Gallery Holiday Gift Guide

Vinateg poster holiday gift guide

Our annual Holiday Gift Guide is now available!  The gallery staff has been busy choosing their favorite ideas and we’re confident there’s something for everyone on your list.  As Villemot’s charming poster promises… “Gifts for all!”

Gallery News

In the Spirit! Our Annual Holiday Poster Show

In the Spirit Gallery Exhibit

We are proud to present our 18th annual holiday poster show In The Spirit!, an exhibition of original vintage posters that celebrate the mirth and indulgence of the season.  The show features over 50 original vintage posters advertising entertainment, fine foods, exotic travel, luxury products, and more.  We hope you can stop by our Boston gallery, but if not, click here to read more about the featured posters.

Poster of the Day

“Campbell’s Tomato Soup Bag” by Andy Warhol

Warhol Tomato Soup Bag ICAAndy Warhol’s Tomato Soup paper bag from his show at Boston’s Institute of Contemporary Art in 1966 is certainly one of the most sought after and expensive disposable carry-alls in the world, and also one of the most popular pieces on display in our Proto-Pop exhibit.

Warhol made his first soup can painting in 1962 which catapulted him and the Pop Art style to worldwide fame. The soup can became an icon of the new style, which used consumer items of all types to reveal (often ironically or subversively) the nature of the Post-Modern consumer society.

Warhol returned to the soup can repeatedly in his career, featuring the image in numerous works. Tomato soup, which was Campbell’s first flavor in 1897, was the artist’s preferred subject. In 1965, Warhol began to experiment with the colors of the can for the first time, which can be seen on the ICA bag.